As a rule I am a jumpy person. I had nightmares about The Strangers for weeks and had to go and see it again to get over it. Scary Movie even frightens me to an extent (I wish I was joking). I'm pretty sure giggling most of the way through a film intending to be scary is a bad sign at the best of times, but from Wimpy McGee over here, it's worse than bad.
The trouble with one man producing films with similar values, themes and visuals is you can't help but compare them all with the one you loved the most. In this instance Pans Labyrinth is the benchmark and it isn't even close to being surpassed by Del Toro's most recent effort.
The cinematography here is typically Del Toro and visually it is gothic and rich. You find yourself admiring the setting but wishing there was far more substance. Unfortunately, this remake never really gets past its aesthetics. In the opening scenes you think you're in for a treat, with darkly intense suspense on display but sadly it never gets better than this.
Katie Holmes and Guy Pearce do their best with a weak and predictable script and pacing issues mean whatever interest was held about the outcome is lost half way through. With forced frights, intentionally scary monsters which in actual fact are quite cute and contrived creepy moments you feel that Don't Be Afraid of the Dark is trying too hard. As a result, this movie is surrounded with a strong sense of spoof for most of the 1 hour and 40 minute duration.
If you fancy a laugh then give it a go!
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"Louis, I think this is the beginning of a beautiful friendship." (Casablanca, 1942)
Follow me on Twitter... @Emma_Liz
"Louis, I think this is the beginning of a beautiful friendship." (Casablanca, 1942)
Follow me on Twitter... @Emma_Liz
Tuesday, 25 October 2011
Tuesday, 18 October 2011
Melancholia 03/10/11
Melancholia is a haunting portrayal of an impending apocalypse; split into two parts, we are shown the separate perspective of two sisters.
It is no secret that I do not rate Kirsten Dunst as an actress but she has knocked this one out of the park producing the performance of her career playing Justine, a woman battling with seemingly severe depression. You can only assume she is using method processes, drawing from her own experiences with depression to encapsulate this illness so perfectly.
In the film, Melancholia is a planet moving towards Earth and 'experts' have calculated that this planets' path will avoid any impact. The spectacular opening scenes (extremely reminiscent of Terence Malick's The Tree of Life, released earlier this year) show the inevitable end of our planet and yet the whole way through you are willing this not to be the case.
This film, similar to The Tree of Life, is encouraging the audience to contemplate the meaning of life. Justine is welcoming the end of the world and this makes such a huge contrast with her sister Claire (Charlotte Gainsborough - captivating); she is frantic that her son won't get to grow up and that the family won't grow together. This is where the film being split into the perspectives becomes important because this shows us how the sisters' differing values and emotional states determine how they cope with and what they want from the situation.
Just a quick mention for the soundtrack - Wagner's Tristan and Isolde in this film is used to create incredibly powerful, hair-raising atmospherics.
These apocalyptic films are becoming more and more prominent and in this age of terrorism, conspiracy theories and large numbers of natural disasters you can really understand why. This never fails to make me feel more anxious; the more I see, hear and talk about it, the wilder my imagination becomes.
Upon reading more about writer and director Lars Von Trier you learn that he has many phobias and is quoted to have said:-
"Basically, I'm afraid of everything in life, except filmmaking."
Upon recognising his anxieties he has channeled everything he fears into the one thing he doesn't and from this process has produced a very special, visually bold and terrific film that will no doubt split opinion all across the world.
It is no secret that I do not rate Kirsten Dunst as an actress but she has knocked this one out of the park producing the performance of her career playing Justine, a woman battling with seemingly severe depression. You can only assume she is using method processes, drawing from her own experiences with depression to encapsulate this illness so perfectly.
In the film, Melancholia is a planet moving towards Earth and 'experts' have calculated that this planets' path will avoid any impact. The spectacular opening scenes (extremely reminiscent of Terence Malick's The Tree of Life, released earlier this year) show the inevitable end of our planet and yet the whole way through you are willing this not to be the case.
This film, similar to The Tree of Life, is encouraging the audience to contemplate the meaning of life. Justine is welcoming the end of the world and this makes such a huge contrast with her sister Claire (Charlotte Gainsborough - captivating); she is frantic that her son won't get to grow up and that the family won't grow together. This is where the film being split into the perspectives becomes important because this shows us how the sisters' differing values and emotional states determine how they cope with and what they want from the situation.
Just a quick mention for the soundtrack - Wagner's Tristan and Isolde in this film is used to create incredibly powerful, hair-raising atmospherics.
These apocalyptic films are becoming more and more prominent and in this age of terrorism, conspiracy theories and large numbers of natural disasters you can really understand why. This never fails to make me feel more anxious; the more I see, hear and talk about it, the wilder my imagination becomes.
Upon reading more about writer and director Lars Von Trier you learn that he has many phobias and is quoted to have said:-
"Basically, I'm afraid of everything in life, except filmmaking."
Upon recognising his anxieties he has channeled everything he fears into the one thing he doesn't and from this process has produced a very special, visually bold and terrific film that will no doubt split opinion all across the world.
Thursday, 13 October 2011
Apologies...
...for the delay on the Melancholia review, will be posted very soon!
Busy busy busy and all that!
In other news Sunday I will be seeing Don't Be Afraid of the Dark and Real Steel with a glamorous cinema companion.
So in honour of Real Steel and Hugh Jackman I bring you Total Film's feature...
BEST & WORST: HUGH JACKMAN
Enjoy!
Busy busy busy and all that!
In other news Sunday I will be seeing Don't Be Afraid of the Dark and Real Steel with a glamorous cinema companion.
So in honour of Real Steel and Hugh Jackman I bring you Total Film's feature...
BEST & WORST: HUGH JACKMAN
Enjoy!
Tuesday, 4 October 2011
October Releases...
October is another month filled with treats for the cinema goer.
I have a hitlist of 10 to see this month - now I've got the ol' Cineworld Unlimited card, the movie world is my oyster!
To follow will be my review of Melancholia.
I have a hitlist of 10 to see this month - now I've got the ol' Cineworld Unlimited card, the movie world is my oyster!
To follow will be my review of Melancholia.
- Don't Be Afraid of the Dark - I posted the trailer for this film in an edition of Trailer Trash. Super creepy! Starring Katie Holmes and Guy Pearce...
- Midnight In Paris - Written and directed by Woody Allen, starring Owen Wilson, Rachel McAdams, Michael Sheen and Carla Bruni. Looks silly but fun!
- The Three Musketeers - Action adventure starring Orlando Bloom, Milla Jovovich and Matthew Macfadyen...
- Real Steel - The delightful Hugh Jackman stars in this action drama. Exciting times...
- Retreat - Really looking forward to this. Thandie Newton, Jamie Bell and Cillian Murphy star.
- Contagion - Blistering cast, awesome concept, bring it on...
- We Need to Talk About Kevin - as I said in the previous trailers post, this looks creepy as you like.
- The Help - So far the book is unputdownable - lets hope the film has the same effect!
- Anonymous - Really interested to see this. I love period films, I hope they get it right...
- The Ides Of March - This film screams Academy Award nominee...
Trailer Trash!
Another edition of trailer trash for you to feast on!
I have a delightful little mixture for you today...
We Need To Talk About Kevin
Looks seriously chilling. Tilda Swinton is getting rave reviews...
The Help
Currently reading this book, I must finish it before it comes out. Blatantly so I can complain how the film isn't as good as the book...
Midnight in Paris
Super odd - but looks as though it could be a lot of fun...
Tower Heist
Could be terribly predictable, but comical nonetheless...
The Girl With The Dragon Tattoo
This trailer is insane - Rooney Mara looks like a different woman...
I have a delightful little mixture for you today...
We Need To Talk About Kevin
Looks seriously chilling. Tilda Swinton is getting rave reviews...
The Help
Currently reading this book, I must finish it before it comes out. Blatantly so I can complain how the film isn't as good as the book...
Midnight in Paris
Super odd - but looks as though it could be a lot of fun...
Tower Heist
Could be terribly predictable, but comical nonetheless...
The Girl With The Dragon Tattoo
This trailer is insane - Rooney Mara looks like a different woman...
Drive 25/09/11
Ryan Gosling is 'The Driver' (he is given no other name throughout), a Hollywood stunt driver moonlighting as a getaway driver for criminals. The driver lives and works in Los Angeles. Gosling's performance is incredibly controlled and captivating as the quietly charming Driver. The beauty of this performance lies with the minimal dialogue we experience from him; he reveals all we need to know with body language, facial expression and his eyes.
The control of the driver is greatly contrasted in later, more action packed, violent scenes. We follow this character closely throughout and soon come to acknowledge that he is a 'loner', with his only apparent companion being his boss at the garage, Shannon (Bryan Cranston). When he meets young mother Irene (Carey Mulligan), we see a love blossom between them ever so subtly.
Other greatly notable performances include Albert Brooks as Bernie. He is fantastic and utterly believable as the weathered mobster tired of the lifestyle and wanting a ticket out. Carey Mulligan is also worth a nod as she convincingly portrays Irene in a tender way; she is gentle and understated which is exactly what the role calls for. This film is so deliberate that none of the performances are out of place.
What grabs and pulls you in with Drive is its apparent 80s theme. This whole movie is fantastically retro; it exudes cool and is one of the slickest Crime Drama's in years. It is artfully stylish, intensely paced and shockingly violent; all of this keeps you gripped for a relentless 100 minute ride. The tension created by this pacing really produces something special; these controlled moments set up the sudden bursts of violence and action to perfection.
You get the thin plot, shallow story feeling but all is forgiven with the gorgeously shiny finish of this skillfully put together movie.
Hands down the coolest film of the year so far.
The control of the driver is greatly contrasted in later, more action packed, violent scenes. We follow this character closely throughout and soon come to acknowledge that he is a 'loner', with his only apparent companion being his boss at the garage, Shannon (Bryan Cranston). When he meets young mother Irene (Carey Mulligan), we see a love blossom between them ever so subtly.
Other greatly notable performances include Albert Brooks as Bernie. He is fantastic and utterly believable as the weathered mobster tired of the lifestyle and wanting a ticket out. Carey Mulligan is also worth a nod as she convincingly portrays Irene in a tender way; she is gentle and understated which is exactly what the role calls for. This film is so deliberate that none of the performances are out of place.
What grabs and pulls you in with Drive is its apparent 80s theme. This whole movie is fantastically retro; it exudes cool and is one of the slickest Crime Drama's in years. It is artfully stylish, intensely paced and shockingly violent; all of this keeps you gripped for a relentless 100 minute ride. The tension created by this pacing really produces something special; these controlled moments set up the sudden bursts of violence and action to perfection.
You get the thin plot, shallow story feeling but all is forgiven with the gorgeously shiny finish of this skillfully put together movie.
Hands down the coolest film of the year so far.
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